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P-Video is a transition model: give it a first frame and a last frame and it generates the continuous motion between them, handing one shot to the next with no visible cut. It is the engine behind frame chaining — the workflow that turns a stack of separate stills into one flowing sequence.
| First frame | The shot you are leaving — attach it as the opening frame. |
|---|---|
| Last frame | The shot you are arriving at — P-Video builds the motion that connects them. |
| Transition | Describe how A becomes B — "camera pushes through the doorway into the next room". |
| Audio | Optionally attach audio; when present, output length follows the audio, not the duration. |
| Loop | Feed each clip’s last frame into the next generation’s first frame to chain a whole sequence. |
Copy any recipe, or run it free in the studio — the prompt prefills and the model is preselected for you.
Move between two scenes with no cut.
Seamless continuous transition from the first frame to the last frame. The camera pushes forward through a sunlit doorway, light blooming as it crosses the threshold, and settles into the next room. One unbroken move, cinematic, no cut.
Sound: Room tone shifting subtly as the camera crosses the threshold, a soft light-bloom swell on the transition.
Pull from a detail out to the world.
Continuous pull-back from the first frame to the last frame. Begin on an extreme macro of a raindrop on a leaf, then smoothly dolly out to reveal a vast rain-soaked valley below. Unbroken, cinematic, seamless.
Sound: A single dripping drop opening into a wide bed of rainfall and wind as the frame widens.
Let a music cue drive the transition length.
Continuous transition synced to the attached audio. A slow whip across a neon night market, stalls and lanterns streaking into a soft blur, resolving on a lone noodle vendor lit warm as the beat lands. Cinematic, seamless.
Sound: Attach a short music cue — the transition resolves exactly as the beat hits.
The transition has a visible seam.
Mask the join with light (a bloom, a whip, a pass behind an object) and make frame B visually reachable from A.
Motion is chaotic.
Describe one clear physical path from A to B — through a door, a pull-back, a whip — not several moves.
Length is wrong when audio is attached.
That is expected — attached audio drives the length. Trim the audio to the beat you want.
The chain drifts off-story.
Always feed the real extracted last frame into the next generation, not a fresh still.
The real leverage is in the pipeline between generations — keeping one character across every shot, and frame-chaining each clip’s last frame into the next so a storyboard becomes one continuous move. That is a built-in FXI Studio capability.
P-Video is an AI video model built for seamless transitions. Given a first frame and a last frame, it generates the continuous motion between them so one shot hands off to the next with no visible cut. It is the engine behind frame chaining in FXI Studio.
Attach the frame you are leaving as the first frame and the frame you are arriving at as the last frame, then describe the physical path between them. P-Video builds the connecting motion and masks the join with light or movement.
Yes. When you attach an audio clip, P-Video ignores the duration setting and matches the output length to the audio — so you can time a visual transition to resolve exactly on a beat.
Frame chaining is the workflow of feeding each clip’s last frame into the next clip’s first frame so a stack of separate shots becomes one continuous, flowing sequence. P-Video is purpose-built for it.
You can try P-Video in FXI Studio. New accounts start with 65 free credits, and each recipe has a one-click button that prefills the prompt and preselects the model.
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Every prompt on this page is reproducible inside FXI Studio. Start with 65 free credits — plans run $15, $35, and $135 a month when you are ready to scale.